Sunday, 20 January 2013

Day .16-JAWAHARLAL NEHRU - The Discovery of India (Continued)


The Advantages and Disadvantages of an Individualistic Philosophy
There is, in the Upanishads, a continual emphasis on the fitness of the body and clarity of the mind, on the discipline of both body and mind, before effective progress can be made. The acquisition of knowledge, or any achievement, requires restraint, self-suffering, self-sacrifice. This idea of some kind of penance, tapasya, is inherent in Indian thought, both among the thinkers at the top and the unread masses below. It is present to-day as it was present some thousands of years ago, and it is necessary to appreciate it in order to understand the psychology under-lying the mass movements which have convulsed India under Gandhiji's leadership. It is obvious that the ideas of the authors of the Upanishads, the rarefied mental atmosphere in which they moved, were con-fined to a small body of the elect who were capable of under-standing them. They were entirely beyond the comprehension of the vast mass of the people. A creative minority is always small in numbers but, if it is in tune with the majority, and is always trying to pull the latter up and make it advance, so that the gap between the two is lessened, a stable and progressive culture results. Without that creative minority a civilization must inevit-ably decay. But it may also decay if the bond between a creative minority and the majority is broken and there is a loss of social unity in society as a whole, and ultimately that minority itself loses its creativeness and becomes barren and sterile; or else it gives place to another creative or vital force which society throws up" It is difficult for me, as for most others, to visualize the period of the Upanishads and to analyse the various forces that were at play. I imagine, however, that in spite of the vast mental and cultural difference between the small thinking minority and the unthinking masses, there was a bond between them or, at any rate, there was no obvious gulf. The graded society in which they lived had its mental gradation also and these were accepted and provided for. This led to some kind of social harmony and conflicts were avoided. Even the new thought of the Upanishads was interpreted for popular purposes so as to fit in with popular prejudices and superstitions, thereby losing much of its essential meaning. The graded social structure was not touched; it was preserved. The conception of monism became transformed into one of monotheism for religious purposes, and even lower forms of belief and worship were not only tolerated but encouraged, as suited to a particular stage of development.
Thus the ideology of the Upanishads did not permeate to any marked extent to the masses and the intellectual separation between the creative minority and the majority became more marked. In course of time this led to new movements—a power-ful wave of materialistic philosophy, agnosticism, atheism. Out of this again grew Buddhism and Jainism, and the famous Sans-krit epics, the Ramayana and the Mahabharata, wherein yet another attempt was made to bring about a synthesis between rival creeds and ways of thought. The creative energy of the people, or of the creative minority, is very evident during these periods, and again there appears to be a bond between that minority and the majority. On the whole they pull together.
In this way period succeeds period with bursts of creative effort in the fields of thought and action, in literature and the drama, in sculpture and architecture, and in cultural, missionary and  colonial enterprises far from India's borders. In between, there are periods of disharmony and conflict, due both to inner causes and intrusions from outside. Yet they are ultimately overcome and a fresh period of creative energy supervenes. The last great period of such activity in a variety of directions was the classical epoch which began in the fourth century after Christ. By about 1000 A.C., or earlier, signs of inner decay in India are very evi-dent. although the old artistic impulse continued to function and produce fine work. The coming of new races with a different background brought a new driving foi;ce to India's tired mind and spirit, and out of that impact arose new problems and new attempts at solution.
It seems that the intense individualism of the Indo-Aryans led, in the long run, to both the good and the evil that their culture produced. It led to the production of very superior types, not in one particular limited period of history, but again and again, age after age. It gave a certain idealist and ethical background to the whole culturfe, which persisted and still persists, though it may not influence practice much. With the help of this background and by sheer force of example at the top, they help together the social fabric and repeatedly rehabilitated it when it threatened to go to pieccs. They produced an astonishing flowering of civilization and culture which, though largely confined to the upper circles, inevitably spread to some extent to the masses. By their extreme tolerance of other beliefs and other ways than their own, they avoided the conflicts that have so often torn society asunder, and managed to maintain, as a rule, some kind of equilibrium. By allowing, within the larger framework, considerable freedom to people to live the life of their choice, they showed the wisdom of an old and experienced race. All these were very remarkable achievements. But that very individualism led them to attach little importance to the social aspect of man, of man's duty to society. For each person life was divided and fixed up, a bundle of duties and responsibilities within his narrow sphere in the graded hierarchy. He had no duty to, or conception of, society as a whole, and no attempt was made to make him feel his solidarity with it. This idea is perhaps largely a modern development and cannot be found in any ancient society. It is unreasonable, therefore, to expect it in ancient India. Still, the emphasis on individualism, on exclusiveness, on graded castes is much more evident in India. In later ages it was to grow into a very prison for the mind of our people—not only for the lower castes, who suffered most from it, but for the higher ones also. Throughout our history it was a weakening factor, and one might perhaps say that along with the growth of rigidity in the caste system, grew rigidity of mind and the creative energy of the race faded away. Another curious fact seems to stand out. The extreme toler-ance of every kind of belief and practice, every superstition and folly, had its injurious side also, for this perpetuated many an evil custom and prevented people from getting rid of the tradi-tional burdens that prevented growth. The growing priesthood exploited this situation to their own advantage and built up their powerful vested interests on the foundation of the super-stitions of the masses. That priesthood was probably never quite so powerful as in some branches of the Christian Church, for there were always spiritual leaders who condemned its practices, and there was a variety of beliefs to choose from, but it was strong enough to hold and exploit the masses.
So this mixture of free thought and orthodoxy lived side by side, and out of them scholasticism grew, and a puritanical ritualism. The appeal was always made to the ancient authorities, but little attempt was made to interpret their truths in terms of changing conditions. The creative and spiritual forces weakened, and only the shell of what used to be so full of life and meaning remained. Aurobindo Ghose has written: 'If an ancient Indian of the time of the Upanishad, of the Buddha, or the later classical age were to be set down in modern I n d i a . . . h e would see his race clinging to forms and shells and rags of the past and missing ninetenths of its nobler meaning.. .he would be amazed by the extent of the mental poverty, the immobility, the static repetition, the cessation of science, the long sterility of art, the comparative feebleness of the creative intuition.'
Materialism
One of our major misfortunes is that we have lost so much of the world's ancient literature—in Greece, in India, and else-where. Probably this was inevitable as these books were origi-nally written on plam-leaves or on bhurjapatra, the thin layers of the bark of the birch tree which peel off" so easily, and later on paper. There were only a few copies of a work in existence and if they were lost or destroyed, that work disappeared, and it can only be traced by references to it, or quotations from it, in other books. Even so, about fifty or sixty thousand manus-cripts in Sanskrit or its variations have already been traced and listed and fresh discoveries are being constantly made. Many old Indian books have so far not been found in India at all but their translations in Chinese or Tibetan have been discovered. Probably an organized search for old manuscripts in the libraries of religious institutions, monasteries and private persons would yield rich results. That, and the critical examination of these manuscripts and, where considered desirable, their publication and translation, are among the many things we have to do in India when we succeed in breaking through our shackles and can function for ourselves. Such study is bound to throw light on many phases of Indian history and especially on the social background behind historic events and changing ideas. The fact that in spite of repeated losses and destruction, and without any organized attempt to discover them, over fifty thousand manus-cripts have been brought out, shows how extra-ordinarily abun-dant must have been the literary, dramatic, philosophical and other productions of old times. Many of the manuscripts dis-covered still await thorough examination. Among the books that have been lost is the entire literature on materialism which followed the period of the early Upani-shads. The only references to this, now found, are in criticisms of it and in elaborate attempts to disprove the materialist theories. There can be no doubt, however, that the materialist philosophy was professed in India for centuries and had, at the time, a powerful influence on the people. In the famous Arthashastra, Kautilya's book on political and economic organization, written in the fourth century B.C., it is mentioned as one of the major philosophies of India.
We have then to rely on the critics and persons interested in disparaging this philosophy, and they try to pour ridicule on it and show how absurd it all is. That is an unfortunate way for us to find out what it was. Yet their very eagerness to discredit it shows how important it was in their eyes. Possibly much of the literature of materialism in India was destroyed by the priests and other believers in the orthodox religion during subsequent periods.
The materialists attacked authority and all vested interests in thought, religion and theology. They denounced the Vedas and priestcraft and traditional beliefs, and proclaimed that belief must be free and must not depend on pre-suppositions or merely on the authority of the past. They inveighed against all forms of magic and superstition. Their general spirit was comparable in many ways to the modern materialistic approach; it wanted to rid itself of the chains and burden of the past, of speculation about matters which could not be perceived, of worship of imaginary gods. Only that could be presumed to exist which could be directly perceived, every other inference or presump-tion was equally likely to be true or false. Hence matter in its various forms and this world could only be considered as really existing. There was no other world, no heaven or hell, no soul separate from the body. Mind and intelligence and everything else have developed from the basic elements. Natural phenomena did not concern themselves with human values and were indiffer-ent to what we consider good or bad. Moral rules were mere conventions made by men.
We recognize all this; it seems curiously of our day and not of more than two thousand years ago. How did these thoughts arise, these doubts and conflicts, this rebellion of the mind of man against traditional authority? We do not know enough of social and political conditions then, but it seems clear that it was an age of political conflict and social turmoil, leading to a disinte-gration of faith and to keen intellectual inquiry and a search for some way out, satisfying to the mind. It was out of this mental turmoil and social maladjustment that new paths grew and new systems of philosophy took shape. Systematic philosophy, not the intuitional approach of the Upanishads, but based on close reasoning and argument, begins to appear in many garbs, Jain, Buddhist, and what might be called Hindu, for want of a better word. The Epics also belong to this period and the Bhagavad Gita. It is difficult to build up an accurate chronology of this age, as thought and theory overlapped and acted and reacted on each other. Buddha came in the sixth century B.C. Some of these developments preceded him, others followed, or often there was a parallel growth.
About the time of the rise of Buddhism, the Persian Empire reached the Indus. This approach of a great Power right to the borders of India proper must have influenced people's thoughts. In the fourth century B.C. Alexander's brief raid into north-west India took place. It was unimportant in itself, but it was the precursor of far-reaching changes in India. Almost immediately after Alexander's death, Chandragupta built up the great Maurya Empire. That was, historically speaking, the first strong, wide-spread and centralized state in India. Tradition mentions many such rulers and overlords of India and one of the epics deals with the struggle for the suzerainty of India, meaning thereby probably northern India. But, in all probability, ancient India, like ancient Greece, was a collection of small states. There were many tribal republics, some of them covering large areas; there were also petty kingdoms; and there were, as in Greece, city states with powerful guilds of merchants. In Buddha's time there were a number of these tribal republics and four principal kingdoms in Central and Northern India (including Gandhara or part of Afghanistan). Whatever the form of organization, the tradition of city or village autonomy was very strong, and even when an overlordship was acknowledged there was no interference with the internal working of the state. There was a kind of primitive democracy, though, as in Greece, it was probably confined to the upper classes. Ancient India and Greece, so different in many ways, have so much in common that I am led to believe that their background of life was very similar. The Peloponnesian war, ending in the breakdown of Athenian democracy might in some ways be com-pared to the Mahabharata war,* the great war of ancient India. The failure of Hellenism and of the free city state led to a feel-ing of doubt and despair, to a pursuit of mysteries and revela-tions, a lowering of the earlier ideals of the race. The emphasis shifted from this world to the next. Later, new schools of philo-sophy— the Stoic and the Epicurean—developed.It is dangerous and misleading to make historical comparisons on slender, and sometimes contradictory, data. Yet one is tempted to do so. The period in India after the Mahabharata war, with its seemingly chaotic mental atmosphere, reminds one of the post-Hellenic period of Greece. There was a vulgarization of ideals and then a groping for new philosophies. Politically and economically similar internal changes might have been taking place, such as the weakening of the tribal republic and city state and the tendency to centralize state power. But this comparison does not take us very far. Greece never really recovered from these shocks, although Greek civilization flourished for some additional centuries in the Mediterranean and influenced Rome and Europe. In India there was a remarkable recovery and the thousand years from the Epic Period and the Buddha onwards were full of creative energy. Innumerable great names in philosophy, literature, drama, mathematics, and the arts stand out. In the early centuries of the Christian era a remarkable burst of energy resulted in the organization of colonial enterprises which took the Indian people and their culture to distant islands in the eastern seas. The Epics. History, Tradition, and Myth The two great epics of ancient India — the Ramayana and the Mahabharata—probably took shape in the course of several hundred years, and even subsequently additions were made to them. They deal with the early days of the Indo-Aryans, their conquests and civil wars, when they were expanding and con-solidating themselves, but they were composed and compiled later. I do not know of any books anywhere which have exercis-ed such a continuous and pervasive influence on the mass mind as these two. Dating back to a remote antiquity, they are still a living force in the life of the Indian people. Not in the original * The epic dealing with this war is also called the Mahabharata( The story of the innumerable translations and adaptations of the 'Panchatantra' into Asiatic and European languages is a long, intricate, and fascinating one. The first known translation was from Sanskrit into Pahlavi in the middle of the sixth century A.C. at the instance of Khusrau Anushirwan, Emperor of Persia. Soon after (c. 570 A.C.) a Syrian translation appeared, and later on an Arabic one. In the eleventh century new translations appeared in Syrian, Arabic, and Persian, the last named becoming famous as the story of 'Kalia Daman.' It was through these translations that the 'Panchatantra' readied Europe. There was a Greek translation from the Syrian at the end of the eleventh century, and a little later a Hebrew translation. In the fifteenth and sixteenth centuries a number of transla-tions and adaptations appeared in Latin, Italian, Spanish, German, Swedish, Danish, Dutch Icelandic, French, English, Hungarian, Turkish, and a number of Slav languages. Thus the stories of the 'Panchatantra' merged into Asiatic and European literatures. ). Sanskrit, except for a few intellectuals, but in translations and adaptations, and in those innumerable ways in which tradition and legend spread and become a part of the texture of a people's life. They represent the typical Indian method of catering all together for various degrees of cultural development, from the highest intellectual to the simple unread and untaught villager. They make us understand somewhat the secret of the old Indians in holding together a variegated society divided up in many ways and graded in castes, in harmonizing their discords, and giving them a common background of heroic tradition and ethical living. Deliberately they tried to build up a unity of outlook among the people, which was to survive and overshadow all diversity.Among the earliest memories of my childhood are the stories from these epics told to me by my mother or the older ladies of the house, just as a child in Europe or America might listen to fairy tales or stories of adventure. There was for me both adven-ture and the fairy element in them. And then I used to be taken every year to the popular open-air performances where the Ramayana story was enacted and vast crowds came to see it and join in the processions. It was all very crude, but that did not matter, for everyone knew the story by heart and it was carnival time.In this way Indian mythology and old tradition crept into my mind and got mixed up with all manner of other creatures of the imagination. I do not think I ever attached very much importance to these stories as factually true, and I even criti-cized the magical and supernatural element in them. But they were just as imaginatively true for me as were the stories from the Arabian Nights or the Panchatantra, that storehouse of animal tales from which Western Asia and Europe have drawn so much.* As I grew up other pictures crowded into my mind: fairy stories, both Indian and European, tales from Greek mythology, the story of Joan of Arc, Alice in Wonderland, and many stories of Akbar and Birbal, Sherlock Holmes, King Arthur and his Knights,  The Rani of Jhansi, the young heroine of the Indian Mutiny, and tales of Rajput chivalry and heroism. These and many others filled my mind in strange confusion, but always there was the background of Indian mythology which I had imbibed in my earliest years. If it was so with me, in spite of the diverse influences that worked on my mind, I realized how much more must old my-thology and tradition work on the minds of others and, especially, the unread masses of our people. That influence is a good influence both culturally and ethically, and I would hate to destroy or throw away all the beauty and imaginative symbolism that these stories and allegories contain.Indian mythology is not confined to the epics; it goes back to the Vedic period and appears in many forms and garbs in Sanskrit literature. The poets and the dramatists take full advantage of it and build their stories and lovely fancies round it. The Ashoka tree is said to burst into flower when touched by the foot of a beautiful woman. We read of the adventures of Kama, the god of love, and his wife, Rati (or rapture), with their friend Vasanta, the god of spring. Greatly daring, Kama shoots his flowery arrow at Shiva himself and is reduced to ashes by the fire that flashed out of Shiva's third eye. But he survives as Ananga, the bodiless one.Most of the myths and stories are heroic in conception and teach adherence to truth and the pledged word, whatever the consequences, faithfulness unto death and even beyond, cour-age, good works and sacrifice for the common good. Sometimes the story is pure rpyth, or else it is a mixture of fact and myth, an exaggerated account of some incident that tradition pre-served. Facts and fiction are so interwoven together as to be inseparable, and this amalgam becomes an imagined history, which may not tell us exactly what happened but does tell us something that is equally important—what people believed had taken place, what they thought their heroic ancestors were capable of, and what ideals inspired them. So, whether fact or fiction, it became a living element in their lives, ever pulling them up from the drudgery and ugliness of their everyday existence to higher realms, ever pointing towards the path of endeavour and right living, even though the ideal might be far off and difficult to reach.Goethe is reported to have condemned those who said that the old Roman stories of heroism, of Lucretia and others, were spurious and false. Anything, he said, that was essentially false and spurious could only be absurd and unfruitful and never beautiful and inspiring, and that 'if the Romans were great enough to invent things like that, we at least should be great enough to believe them.'Thus this imagined history, mixture of fact and fiction, or sometimes only fiction, becomes symbolically true and tells us of the minds and hearts and purposes of the people of that parti-cular epoch. It is true also in the sense that it becomes the basis for thought and action, for future history. The whole concep-tion of history in ancient India was influenced by the specula-tive and ethical trends of philosophy and religion. Little im-portance was attached to the writing of a chronicle or the compi-lation of a bare record of events. What those people were more concerned with was the effect and influence of human events and actions on human conduct. Like the Greeks, they were strongly imaginative and artistic and they gave rein to this artistry and imagination in dealing with past events, intent as they were on drawing some moral and lesson from them for future behaviour.Unlike the Greeks, and unlike the Chinese and the Arabs, Indians in the past were not historians. This was very unfortu-nate and it has made it difficult for us now to fix dates or make up an accurate chronology. Events run into each other, overlap and produce an enormous confusion. Only very gradually are patient scholars to-day discovering the clues to the maze of Indian history. There is really only one old book, Kalhana's 'Rajatarangini', a history of Kashmir written in the twelfth cen-tury A.C., which may be considered as history. For the rest we have to go to the imagined history of the epics and other books, to some contemporary records, to inscriptions, to artistic and architectural remains, to coins, and to the large body of Sanskrit literature, for occasional hints; also, of course, to the many re-cords of foreign travellers who came to India, notably Greeks and Chinese, and, during a later period, Arabs.This lack of historical sense did not affect the masses, for as elsewhere and more so than elsewhere, they built up their view of the past from the traditional accounts and myth and story that were handed to them from generation to generation. This imagined history and mixture of fact and legend became widely known and gave to the people a strong and abiding cultural background. But the ignoring of history had evil consequences which we pursue still. It produced a vagueness of outlook, divorce from life as it is, a credulity, a woolliness of the mind where fact was concerned. That mind was not at all woolly in the far more difficult, but inevitably vaguer and more indefinite, realms of philosophy; it was both analytic and synthetic, often very critical, sometimes sceptical. But where fact was concerned,, it was uncritical, because, perhaps, it did not attach much im-portance to fact as such.The impact of science and the modern world have brought a greater appreciation of facts, a more critical faculty, a weighing of evidence, a refusal to accept tradition merely because it is tradition. Many competent historians are at work now, but they often err on the other side and their work is more a meticulous chronicle of facts than living history. But even to-day it is strange how we suddenly become overwhelmed by tradition, and the critical faculties of even intelligent men cease to function. This may partly be due to the nationalism that consumes us in our present subject state. Only when we are politically and economically free will the mind function normally and critically.Very recently there has been a significant and revealing' instance of "this conflict between the critical outlook and nationalist tradition. In the greater part of India the Vikram Samvat calendar is observed; this is based on a solar reckoning, but the months are lunar. Last month, in April, 1944, according to this calendar, 2,000 years were completed and a new millennium began. This has been the occasion for celebrations throughout India, and the celebrations were justified, both because it was a big turning point in the reckoning of time and because Vikram, or Vikramaditya, with whose name the calendar is associated, has long been a great hero in popular tradition. Innumerable stories cling to his name, and many of these found their way in mediaeval times in different garbs to various parts of Asia, and later to Europe. Vikram has long been considered a national hero, a beau ideal of a prince. He is remembered as a ruler who pushed out fore-ign invaders. But his fame rests on the literary and cultural brilliance of his court, where he collected some of the most famous writers, artists, and musicians—the 'nine gems' of his court as they are called. Most of the stories deal with his desire to do good to his people, and to sacrifice himself or his personal interest at the slightest provocation in order to benefit someone else. He is famous for his generosity, service for others, courage, and lack of conceit. Essentially he has been popular because he was considered a good man and a patron of the arts. The fact that he was a successful soldier or a conqueror hardly comes out in the stories. That emphasis on the goodness and self-sacri-ficing nature of the man is characteristic of the Indian mind and of Indian ideals. Vikramaditya's name, like that of Caesar, became a kind of symbol and title, and numerous subsequent rulers added it to their names. This has added to the Confusion, as there are many Vikramadityas mentioned in history.But who was this Vikram? And when did he exist? Histori-cally speaking everything is vague. There is no trace of any such ruler round about 57 B.C. when the Vikram Samvat era should begin. There was, however, a Vikramaditya in North India in the fourth century A.C., and he fought against Hun invaders and pushed them out. It is he who is supposed to have kept the 'nine gems' in his court and around whom all these stories gather. The problem then is this: How is this Vikramaditya who existed in the fourth century A.C. to be connected with an era which begins in 57 B.C. ? The probable explanation appears to be that an era dating from 57 B.C. existed in the Malava State in Central India, and, long after Vikram, this era and calendar were connected with him and renamed after him. But all this is vague and uncertain.                       What has been most surprising is the way in which quite intelligent Indians have played about with history in order some-how to connect the traditional hero, Vikram, with the beginning of the era 2,000 years ago. It has also been interesting to find how emphasis is laid on his fight against the foreigner and his desire to establish the unity of India under one national state. Vikram's realm was, in fact, confined to North and Central India.It is not Indians only who are affected by nationalist urges and supposed national interest in the writing or consideration of history. Every nation and people seem to be affected by this desire to gild and better the past and distort it to their advantage. The histories of India that most of us have had to read, chiefly written by Englishmen, are usually long apologies for and panegyrics of British rule, and a barely veiled contemptuous account of what happened here in the millenniums preceding it. Indeed, real history for them begins with the advent of the Englishman into India; all that went before is in some mystic kind of way a preparation for this divine consummation. Even the British period is distorted with the object of glorifying British rule and British virtues. Very slowly a more correct per-spective is developing. But we need not go to the past to find instances of the manipulation of history to suit particular ends and support one's own fancies and prejudices. The present is full of this, and if the present, which we have ourselves seen and experienced, can be so distorted, what of the past?                                                                                                   Nevertheless, it is true that Indians are peculiarly liable to accept tradition and report as history, uncritically and without sufficient examination. They will have to rid themselves of this loose thinking and easy way of arriving at conclusions.But I have digressed and wandered away from the gods and goddesses and the days when myth and legend began. Those were the days when life was full and in harmony with nature, when man's mind gazed with wonder and delight at the mystery of the universe, when heaven and earth seemed very near to each other, and the gods and goddesses came down from Kailasa or their other Himalayan haunts, even as the gods of Olympus used to come down, to play with and sometimes punish men and women. Out of this abundant life and rich imagination grew myth and legend and strong and beautiful gods and goddesses, for the ancient Indians, like the Greeks, were lovers of beauty and of life. Professor Gilbert Murray* tells us of the sheer beauty of the Olympian system. That description might well apply to the early creations of the Indian mind also. 'They are artists' dreams, ideals, allegories; they are symbols of something beyond themselves. They are gods of half-rejected tradition, of unconscious make-believe, of aspiration. They are gods to whom doubt-ful philosophers can pray, with all a philosopher's due caution, as to many radiant and heart-searching hypotheses. They are not gods in whom anyone believes as a hard fact.' Equally applicable to India is what Professor Murray adds: 'As the most beautiful image carved by man was not the god, but only a symbol to help towards conceiving the god; so the god himself, when conceived, was not the reality but only a symbol to help towards conceiving the reality.... Meanwhile they issued no creeds that contradicted knowledge, no commands that made man sin against his own inner light.' Gradually the days of the Vedic and other gods and goddesses receded into the background and hard and abstruse philosophy took their place. But in the minds of the people these images still floated, companions in joy and friends in distress, symbols of their own vaguely-felt ideals and aspirations. And round them poets wrapped their fancies and built the houses of their dreams, full of rich embroidery and lovely fantasy. Many of these legends and poets' fancies have been delightfully adapted by F. W. Bain in his series of little books containing stories from Indian mythology. In one of these, 'The Digit of the Moon,' we are told of the creation of woman. 'In the beginning, when Twaslitri (the Divine Artificer) came to the creation of woman he found that he had exhausted his materials in the making of man and that no solid elements were left. In this dilemma, after pro-found meditation, he did as follows: he took the rotundity of the moon, and the curves of the creepers, and the clinging of tendrils, and the trembling of grass, and the slenderness of the reed, and the bloom of flowers, and the lightness of leaves, and the tapering of the elephant's trunk, and the glances of deer, and the clustering of rows of bees, and the joyous gaiety of sun-beams, and the weeping of clouds, and the fickleness of the winds, and the timidity of the hare, and the vanity of the peacock, and the softness of the parrot's bosom, and the hardness of adamant, and the sweetness of honey, and the cruelty of the tiger, and the warm glow of fire, and the coldnesss of snow, and the chattering of jays, and the cooing of the kokila, and the hypocrisy of the crane, and the fidelity of the chakravaka; and compounding all these together, he made woman and gave her to man.'




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